

Tensive spaces 1971-1972

Tensives spaces TSc6, 1972, tempera on canvas, 110 x 110 cm

Tensives spaces TSc5, 1972, tempera on canvas, 110 x 110 cm

Tensives spaces TSc4, 1972, tempera on canvas, 110 x 110 cm

Figures and forms FFc23, 1970, tempera on canvas, 95 x 95 cm

Tensive spaces TSs1, 2, 3, 4, 1972, silkscreens on paper, 47 x 47 cm, edition of 90

Tensive spaces 1971-1972

Tensive spaces TSs1, 2, 3, 4, 1972, silkscreens on paper, 47 x 47 cm, edition of 90

Tensive Spaces TSc1, 1970, tempera on canvas, 95 x 95 cm
Tensive spaces (1971-1972)
Acrylverf op doek en objecten in gekleurde Plexiglas
Co-founder in Antwerp of "THE INTERNATIONAL WORKGROUP FOR CONSTRUCTIVE ART" in 1972.
The spatial forms, tight, bended or undulated, are very much present in my colourful symmetric 'hard edge' compositions. They are caught in cubes with solid sides on which they seem to exert a strong lateral pressure, ready to break out.